The Elegance of the Hedgehog (L'élégance du hérisson)

by Muriel Barbery

Renee is the concierge of a grand Parisian apartment building, home to members of the great and the good. Over the years she has maintained her carefully constructed persona as someone reliable but totally uncultivated, in keeping, she feels, with society's expectations of what a concierge should be. But beneath this facade lies the real Renee: passionate about culture and the arts, and more knowledgeable in many ways than her employers with their outwardly successful but emotionally void lives. Down in her lodge, apart from weekly visits by her one friend Manuela, Renee lives resigned to her lonely lot with only her cat for company. Meanwhile, several floors up, twelve-year-old Paloma Josse is determined to avoid the pampered and vacuous future laid out for her, and decides to end her life on her thirteenth birthday. But unknown to them both, the sudden death of one of their privileged neighbours will dramatically alter their lives forever. By turn moving and hilarious, this unusual novel became the top-selling book in France in 2007 with sales of over 900,000 copies to-date.
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Reading Group Guide (pdf)

NY Times book review

List of Characters (from Wikipedia)

Renée Michel
A spiky haired hedgehog sits in the grass, facing the camera.
Paloma refers to Renée as having the elegance of the hedgehog.

Renée Michel is a 54-year-old widowed concierge. She has never been to college because she considers herself to always have been poor, discreet, and of no significance. Renée, however is self-taught; she reads works of the German philosopher Immanuel Kant and Russian writer Leo Tolstoy (and even names her cat "Leo"), disdains the philosophy of Edmund Husserl, adores 17th-century Dutch paintings, likes Japanese art-house films by Yasujirō Ozu, and listens to the music of composers Henry Purcell and Gustav Mahler.

Renée, who conceals her true self to conform to the lowly image of typical concierges, introduces herself as "a widow, short, ugly, chubby", with "bunions on my feet and, on certain difficult mornings, it seems, the breath of a mammoth". Her outward appearance is summarized by The Guardian reviewer Ian Samson as "prickly and bunioned". When Paloma eventually discovers Renée's identity, she describes the latter in her journal as having the "elegance of the hedgehog"—although like the spines of the hedgehog, she is covered in quills and prickly, within, she has in the words of the English translation of the book quoted by Viv Groskop "the same simple refinement as the hedgehog: a deceptively indolent little creature, fiercely solitary—and terribly elegant". -Paloma Josse

Paloma Josse, an advanced twelve-year-old, belongs to one of the conventional families living in the posh apartment building where Renée works. Daughter of an important parliamentarian father (a former government minister), and a Flaubert-quoting mother, Paloma has a penchant for absurdism. She regards her sister's scholarship as "cold and trivial" and deems her mother's culture as conventional and useless.[9] Paloma herself values Japanese works, and reads manga, haiku, and tanka. She keeps two diaries, one called "Journal of the Movement of the World" to record her observations of the world around her, and the other called "Profound Thoughts" to record her many and wide-ranging reflections on art, poetry, people, etc. She has a sadistic mind almost, and is always criticizing people, including her own family.
Minor characters

Other characters developed by Barbery in the novel include Kakuro Ozu, the cultured Japanese businessman, and Manuela, a Portuguese cleaner. Ozu, a tenant, shares Paloma's fascination with Renée's masked intelligence and brings her out of her shell (and also happens to set the entire book in forward motion), while Manuela is responsible for cleaning the apartments' toilets and is Renée's only real friend.